Clarinet vs. Saxophone Embouchure for Band Directors Who This issue affects band directors teaching clarinet and saxophone players, from middle school beginners to advanced students, in school or community ensembles. Clarinetists and saxophonists need distinct embouchure guidance to achieve proper tone and intonation. What The challenge is understanding and teaching the differing embouchure requirements for […]
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Mastering the Alternate F# Fingering on Saxophone Who This technique benefits saxophonists, from middle school beginners to professional players, performing on alto or tenor saxophone in band, jazz, or solo settings, and band directors guiding them to improve technical fluency and intonation. What The challenge is eliminating pitch glitches (G or E blips) during transitions
Fork it — Alternate F# on Saxophone Read Post »
Using Side Bb and Side C Fingerings on Saxophone Who This technique benefits saxophonists, from middle school beginners to advanced players, performing on alto or tenor saxophone in band or jazz settings, and band directors guiding them to improve fluency and intonation. What The challenge is achieving smooth transitions and accurate intonation for middle-register Bb
Gettin’ It On The Side…Bb and C on Saxophone Read Post »
F# Fingering for Flute vs. Saxophone for Directors Who This issue affects band directors transitioning from specializing in saxophone (alto or tenor) to teaching beginning flute players in school bands. Understanding the distinct F# fingerings is crucial for both directors and students to ensure accurate instruction and performance. What The challenge is teaching the correct
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Saxophone Bb Fingerings: Bis Key, Side Key, and One-and-One Who This technique is essential for saxophonists, from middle school beginners to professional players, performing on alto or tenor saxophone in band, jazz, or solo settings. Choosing the optimal Bb fingering enhances intonation and fluency, especially for students navigating flat-key repertoire. What The challenge is selecting
1-and-1…Not All That Fun (On The Saxophone) Read Post »
Using Trill Fingering Substitutions (or trill fingerings for trills) for Woodwind Players Who This technique benefits woodwind players, including flutists, clarinetists, oboists, and bassoonists, from middle school to professional levels, performing in band, orchestral, or solo settings. Trill fingering substitutions are especially useful for students tackling challenging passages in school ensembles. What The challenge is
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